2012-01-21

TotalFinder brings tabs to you Mac finder

If you have fallen in love with tabbed web browsers, you may have wondered why the people at Apple  haven't adopted this for their technology and workflow as core to their OS.  The good news however, is that one solo guy (Antonin) who operates as BinaryAge has seen this as a fundamental feature for any finder workflow. Antonin as a result has created TotalFinder. TotalFinder runs as a Finder plugin and enables the tabbed browsing of your finder windows. As a workflow solution, this is amazing as it allows the user to have multiple finder windows open - perfect for auditioning sounds, copying files and general house keeping. You can also run in 'Dual Mode' which allows you to run not 1, but 2 x tabbed window sets side by side! And if you use Lion and don't like Terminal, it allows you to view ALL system files (in Lion these are now hidden by default).

Some of the key features include:

·      Tabbed Browsing

o   Add tabs on top of Finder. The same tabs as seen in Google Chrome.

·      Dual Mode

o   Display two Finder windows side-by-side in dual mode.

·      Folders on Top

o   Don't make me think. Folders should always go first in list view.

·      Show System Files

o   Show me all files on the disk. I'm not afraid to see the cruft.

·      Visor

o   Convenient system-wide Finder always one key-press away.

·      Cut & Paste

o   Use keyboard shortcuts to move files around. Faster than drag & drop. 

TotalFinder is compatible with both Snow Leopard and Lion and is available as a 14 day trial and is priced at only $18US. Well worth it!  And if you have 2 other friends who would like this, you can get 3 licenses for only $36. Maybe a great birthday gift for someone??? I have been using TotalFinder for a few weeks now and there is no way I will be going without it again.

2012 MPSE Nominees anounced


Best Sound Editing: Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film
The Adventures of Tintin
Cars 2
Kung Fu Panda 2
Puss in Boots
Rango
Rio
The Smurfs
Best Sound Editing: Sound Effects, Foley, Dialogue, ADR and Music in a Feature Documentary
Being Elmo: A Puppeteer's Journey
Cave of the Forgotten Dreams
George Harrison: Living in the Material World
Lemmy
Pearl Jam Twenty
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film
1920. The World's Most Important Battle
Circumstance
The Flowers of War
In the Land of Blood and Honey
Sarah's Key
The Skin I Live In
Tropa de Elite 2 (Elite Squad 2: The Enemy Within)
Best Sound Editing: Music in a Feature Film
Drive
The Girl with the Dragon Tattoo
Hop
Hugo
Priest
Super 8
Transformers: Dark of the Moon
The Tree of Life
Best Sound Editing: Music in a Musical Feature Film
Footloose
The Muppets
Perfect Age of Rock 'n' Roll
Pina
Best Sound Editing: Dialogue and ADR in a Feature Film
Abduction
The Help
Moneyball
Quarantine II: Terminal
Rise of the Planet of the Apes
Super 8
War Horse
The Way
Best Sound Editing: Sound Effects and Foley in a Feature Film
Drive
Fast Five
The Girl with the Dragon Tattoo
Mission Impossible: Ghost Protocol
Rise of the Planet of the Apes
Super 8
Transformers: Dark of the Moon
War Horse
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR Animation in Television
Fanboy and Chum Chum "A Very Brrr-y Icemas"
Futurama "Law & Oracle"
Ice Age: A Mammoth Christmas
Kick Buttowski: Suburban Daredevil "Truth or Daredevil"
Kung Fu Panda: The Legends of Awesomeness "Sight for Sore Eyes"
Lego Star Wars: The Padawan Menace
The Penguins of Madagascar "The Return of the Revenge of Dr. Blowhole"
Phineas and Ferb "Across the 2nd Dimension"
Best Sound Editing: Long Form Documentary
Gettysburg
Harlistas: An American Journey
Koran By Heart
Best Sound Editing: Long Form Music in Television
The 12 Dates of Christmas
Alphas "Pilot"
Avalon High
Magic Beyond Words - The JK Rowling Story
Terra Nova "Occupation/Resistance"
Best Sound Editing: Long Form Dialogue and ADR in Television
Big Love "Where Men and Mountains Meet"
Cinema Verite
Homeland "Marine One"
Terra Nova "Occupation/Resistance"
The Walking Dead "What Lies Ahead"
Best Sound Editing: Long Form Sound Effects and Foley in Television
Cinema Verite
Homeland "Marine One"
Red Faction: Origins
Terra Nova "Occupation/Resistance"
The Walking Dead "What Lies Ahead"
Best Sound Editing: Short Form Documentary
Above The Ashes
Man Made "Bugatti Super Car"
Tim Tebow: Everything In Between
Best Sound Editing: Short Form Music in Television
Camelot "110 - Reckoning"
CSI: Miami "Crowned"
Damages "Failure is Lonely"
Fringe "The Day We Died"
Justified "Brother's Keeper"
Raising Hope "Prodigy"
Revenge "Pilot"
Best Sound Editing: Short Form Musical in Television
Glee "The First Time"
Grey's Anatomy "The Song Beneath the Song"
The Playboy Club "Pilot"
Best Sound Editing: Short Form Dialogue and ADR in Television
The Big C "A Little Death"
Game of Thrones "Cripples, Bastards and Broken Things"
Hell on Wheels "Bread and Circuses
Leverage "The Van Gogh Job"
Person of Interest "Witness"
Smallville "Dominion"
Sons of Anarchy "To Be, Part 2"
The Walking Dead "Save the Last One"
Best Sound Editing: Short Form Sound Effects and Foley in Television
The Borgias "Death, On A Pale Horse"
Breaking Bad "Faceoff"
Fringe "The Day We Died"
Game of Thrones "Winter is Coming"
Homeland "Pilot"
House M.D. "Bombshells"
Rizzoli & Isles "Can I Get a Witness?"
Smallville "Dominion"
Best Sound Editing: Computer Episodic Entertainment
Aim High
Dagedar
Polly Pocket
Warehouse 13 "Of Monsters & Men"
When You Find Me
Best Sound Editing: Computer Interactive Entertainment
Call of Duty: Modern Warfare 3
Diablo III Cinematics - Black SoulStone "Doom" and Intro "End of Days"
Gears of War 3
Need for Speed "The Run"
Skylanders Spyro's Adventure Cinematics
Best Sound Editing: Direct to Video - Animation
Dragon: Gift of the Night Fury
Kung Fu Panda 2: Secrets of the Masters
Megamind: The Button of Doom
Quest for Zhu
The Smurfs: A Christmas Carol
Beethoven's Christmas Adventure
Love
Street Kings 2: Motor City
Rocky Mountain Express
Tornado Alley
Wildest Weather in the Solar System
Alma
Inferno
The Maiden and the Princess
The Pride of Wade Ellison
The Secret Numbers


2011-10-25

Adobe - Rubbadub


Having used many forms of audio editing software over the years I have been yet convinced that any of the Adobe software is comparable to other software such as Avid Pro Tools. I find that with any audio software made by "visual" software developers they miss the point with "creative flexibility" of there audio software. Sure you can record edit and mix, however I always feel constrained,  and all creativity is lost and it is purely "technical" software. For most video editors wanting to knock up a quick audio mix than this is fine, but for creative sound designers this is like working 15 years ago.

I am always open to new technology, and especially technology that is not only allows for creativity, but also technology that streamlines workflows. Adobe have just showcased a new piece of software which could redefine dialogue editing and ADR editing in particular.

Having used Vocalign for many years for various tasks including tightening lip sync and backing vocals on music tracks, I have found that I end up making as many edits either using vocalign or just using time stretch from Pro Tools. Adobe now have something that looks truly amazing, something  quite mind blowing indeed! Check out Rubbadub... you won't believe your eyes.

Pro Tools 10


Avid have released the next installment of Pro Tools. PT10 includes many new features including:

  • Speed up editing and mixing with Clip Gain, and easily adjust and match gain levels, pre-mixer (watch the video)
  • Use multiple audio formats in a session—including interleave—without file duplication
  • Record and master higher resolution sound with more headroom in 32-bit floating-point format
  • Get great responsiveness on slower hard drives with the enhanced disk handler
  • Record in low-latency mode, with direct monitoring when using third-party audio interfaces
  • Get the sound of System 5 console EQ and dynamics with the Avid Channel Strip plug-in
 
  • Get access to over 500 additional Pro Tools commands when using EUCON controllers (watch the video)
  • Work more easily with AudioSuite-rendered clips with reverse processing, handles, and more (watch the video)
  • Create extra long-format projects for sequential versioning with the extended 24-hour timeline
  • Open fade-heavy sessions faster and get better responsiveness with real-time fades
  • Export mixes directly to SoundCloud to share and promote your music to the world
Available in both PT10 and PT10HD, I am glad to note that owners of Complete Production Toolkit also gain many of the HD features as with PT9.

2011-10-07

Go Behind The Scenes At Røde Microphones



From the very beginning RØDE was created to be a company of difference.

At a time when the only recording solutions available to artists and engineers were either incredibly expensive or generally poor quality, RØDE set out to change the status quo, offering world class recording tools for everyone.

Almost 20 years later and still here in Sydney, Australia, RØDE manufactures some of the world's very best microphones, regardless of price.

And for the first time, you can see how this is done

2011-09-30

INTENSIVE MASTERCLASS + WIRED EARS Opportunity for emerging artists…



On Saturday 29th October The WIRED Lab will be hosting Wired Open Day. Now a biennial event Wired Open Day provides the general public with the opportunity to interact with the ‘wires’ and witness its vast array of creative applications.

In the lead-up to Wired Open Day Alan Lamb, David Burraston and Sarah Last will facilitate an intensive masterclass for 12 artists and musicians. This funded masterclass, a continuation of our WIRED EARS professional development program, will provide emerging artists with the opportunity to work with core members of The WIRED Lab including Alan Lamb, a pioneer of experimental Australian music, David Burraston, a widely recognised computer scientist/artist and Lambs core collaborator over recent years, and Sarah Last experimental curator/artist.

During the three day masterclass participants will learn about the wire instruments and the interdisciplinary strategies Lamb, Burraston and Last employ to realise their compositions. Masterclass participants will also be integral to realising a new composition by Lamb, Burraston and Last which will be premiered at Wired Open Day.

FINANCIAL SUPPORT FOR ARTISTS: WIRED EARS

(EMERGING ARTISTS RESIDENCY SCHEME)

The WIRED EAR Scheme provides financial assistance for emerging artists from around Australia to attend WIRED Lab workshops and initiatives. For this intensive masterclass we will be offering funding support to assist 12 emerging artists with the costs to attend the masterclass. Artists who consider themselves to be ‘emerging’ are invited to submit a brief expression of interest (EOI) detailing their arts practice and how they feel they will benefit from being a WIRED EARS participant.

On your EOI please cite the cost of your return travel to/from Cootamundra NSW and keep your EOI to 1 A4 page. Also note that we don’t follow standard industry definitions of ‘emerging’ we expect you to determine where you place your practice and experience. Interdisciplinary artists are encouraged to apply.

WIRED EARS expressions of interest are due Friday 7th October
INTENSIVE MASTERCLASS DETAILS
Wednesday 26th, Thursday 27th and Friday 28th October

with live performance at WIRED Open Day on Saturday 29th October
* The workshop is offered for free to 12 WIRED EARS participants

* This is a national initiative artists from around Australia are encouraged to apply

* Previous WIRED EARS recipients are eligible to apply

* Successful EOI’s will be confirmed Monday 19th October

* Costs of your travel to/from Cootamundra to be paid for by The WIRED Lab (please schedule to arrive on Tuesday for a Wednesday morning start)

* Accommodation to be provided by The WIRED Lab

* Materials will be provided by The WIRED Lab

* Lunch will be provided by The WIRED Lab and a per diem for your other daily meals

For further information about the location of The Wired Lab and travel information please email workshops [at] wiredlab.org to be sent an FAQ

The Wired Lab and its programs are supported by:

The NSW Government through Arts NSW

and

The Australian Government through the Australia Council for the Arts, its arts funding and advisory body

2011-08-16

Motion Picture Sound Editors now on YouTube



Subscribe to the Motion Picture Sound Editors YouTube channel